KISS KISS BANG BANG

We Love to Watch what are we doing here, like a subtitle or something? Seems like more trouble than it's worth.

A Very Shane Black Christmas rolls on with KISS KISS BANG BANG, Black's triumphant come back after the financial failure of A LONG KISS GOODNIGHT. We really didn't do this month in the right order at all, did we?

Part Hollywood satire, part neo-noir, part buddy comedy, and with Shane Black in the director's chair, this is the writer/director at his most pure. Is that a good or a bad thing?  

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Peter Moran